Participants on stage during the International Digital Distribution and Marketing discussion on day three of Qumra.
The inaugural Qumra Talks at the third edition of Qumra industry event organised by the Doha Film Institute (DFI) has kicked off with a session on International Digital Distribution and Marketing.
Pierre Alexandre Labelle, CEO of Under the Milky Way; Gianluca Chakra, Managing Director, Front Row Filmed Entertainment and Nader Sobhan, Iflix head of Middle East and North Africa, came together to give their take on the direction of digital film distribution and whether the potential power of online distribution for independent filmmakers had been hyped or is a much-needed reality.
Pierre Alexandre Labelle took attendees through the basics of Video on Demand (VOD), the role of the digital distributor and different models of digital distribution. Speaking of the value that digital distribution offers filmmakers, Labelle said: “Video on Demand is the present and future of entertainment. This is the way the industry is evolving. Packaged media, DVDs etc., are fast disappearing. Traditional distribution channels, such as movie theatres, give filmmakers a limited audience with the constraints of time and space while VOD allows for tens of thousands of films to be available all the time.”
Discussing the way in which people watch entertainment now, Nader Sobhan added: “I can’t remember the last time I ran home to watch TV. No one does this anymore. There’s been a seismic shift to how we watch entertainment. We no longer have to wait, we can watch films and TV shows through a multitude of platforms and devices. Iflix gives people an all-you-can-eat entertainment platform where they can binge on the films and TV shows they want.”
Adding to the argument for filmmakers to harness the power of digital distribution channels, Gianluca Chakra said: “Now that you have many different ways of distributing your film, you have more ways for people to see your film. Filmmakers can find new audiences, or indeed ‘their’ audience.”